Launch DaVinci Resolve, and the rest of your monitor calibration will be generated by DaVinci Resolve. Your parameters for 3D LUT will be different depending on your system and color goals for whatever project you are completing. Always check the option to create 3D LUT after profiling.

Leave the rest of the settings alone except under the 3D LUT tab. So, using Display CAL, navigate to Display & Instrument, and change your display to Resolve. You can also change 3D LUT within DaVinci Resolve, but it is not the optimal method. This is a professional method used for external monitors that accept LUT. Select auto-optimize for the testchart setting, and then adjust the number of patches to about 1000-2000.įor “Verification”, this will simply verify how accurately the monitor calibration process went. Also, it is not recommended to click ambient light adjustment for consistency. If you set your white level anywhere between 89-120, you’ll be fine. Starting with observer, leave what you have as the default and don’t touch the whitepoint. Next, we move to the “Calibration” tab to access those settings. Make sure the output level is set to full range. On the Display CAL screen, you should see a settings window that opens on Display & Instrument. At this point, I also have the iDisplay calibration tool connected via USB.

You can download Display CAL for free to use for monitor calibration. These settings will be different depending on the computer you have. Whether you use Windows or IOS, we will calibrate our display via color management. I’ll also be using an iDisplay screen calibration tool that connects to my computer via USB.įirst, we will initiate calibration using your computer’s operating system. We will be covering two different methods to calibrate your display for color grading in DaVinci Resolve. Calibrating Your Monitor – Color Management & 3D LUT Creation In collaboration with YouTube creator AramK, we bring you a series of Davinci Resolve 16 tutorials to help you get your video project off the ground.

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